About “Planet 42 Alpha”

I set out to write how a character changes over 74 sequential stories. The main character, Resada Gestae, is not always the narrator, but the entire arc of 74 stories is Resada Gestae’s story over a number of years. I thought there would be exactly 74 stories, one for each planet my narrator visits, but in writing the stories there were some surprises: the 42nd stop included two worlds, an asteroid belt, and a break in the journey – two stories set in the same solar system.

These two stories will appear in 4 Star Stories: “Planet 42 Alpha” and “Planet 42 Beta”. The first story, “Planet 42 Alpha” is out now. It starts as a typical stop on Lt Gestae’s mission of reconstructive justice. (None of these visits turn out as base staff may have envisioned them.) If this sounds familiar, the 38th stop also appeared in 4 Star Stories: “Planet 38” in 4 Star Stories (Summer 2013).

Five stories in this arc of 74 are now out and I am tremendously pleased to have two appearing in 4 Star Stories. To follow Lt Gestae across this larger story, read: 1) “No Woman, No Plaything” in Kaleidotrope (October 2012), 2) “Planet 38” in 4 Star Stories (Summer 2013), 3) “Planet 42 Alpha” in 4 Star Stories, 4) “Planet 42 Beta” in 4 Star Stories (forthcoming), and 5) “Crush” in Tree and Stone’s “Queer as F” themed issue (December 2023). This last story may be a bit disorienting: we see Lt Gestae from the outside and not as a narrator.

This is a trait of my work: the minor characters in one work may be the narrators in another. To follow the broader story of Ke, Resada’s spouse who narrates “Crush”, read: 1) This is Not a Love Story in Black Denim Lit (October 2015) (two partners meet), 2) “Inducement” in Black Denim Lit (September 2016) (two partners solve a case), 3) “Searching” in Black Denim Lit #8 (December 2014) (two partners get a new case, that of one Resada Gestae), 4) “Planet 42 Beta” in 4 Star Stories (forthcoming) (trying to keep tabs on Lt Gestae), 5) “Planet 50” in Black Denim Lit (July 2015) (stuck on one ship with Lt Gestae), and finally 6) “Crush” in Tree and Stone’s “Queer as F” themed issue (December 2023) (married – to of all people, Resada Gestae), (and in 7) my play “The Other Two Men”) (cloned in the far future – to solve a problem in “Crush”).

To follow the wider story of Resada’s first husband Rain (who, despite his importance, never narrates any of these stories), read: 1) “Grave’s First Day” in A Coup of Owls (August 2021) (becomes an unmarried father), 2) “Searching” in Black Denim Lit #8 (December 2014) (brings future spouses in on an ongoing case that will change all their futures), 3) “Planet 42 Beta” in 4 Star Stories (forthcoming) (a brief chance to be married), then 4) “Crush” in Tree and Stone’s “Queer as F” themed issue (December 2023) (married for good).

Since all of these works are part of a network of related stories, to understand why Resada Gestae is making these visits start with: “Searching” in Black Denim Lit #8 (December 2014). To read about previous stops read “No Woman, No Plaything” in Kaleidotrope (October 2012) or “Planet 38” in Four Star Stories (Summer 2013). The people Resada speak to in the opening paragraphs of “Planet 42 Alpha” are introduced in “Life on Earth” in Expanded Horizons (January 2015) and appear in other works that are not yet out. To take a jump into the future read “Crush” now out in Tree and Stone‘s “Queer as F” themed issue (December 2023).

To see the entire arc of stories laid out in chronological order (and, in fact, all the stories happening during a thousand-year effort to colonize the galaxy) see “Read my Short Stories in Order”.

  • Lisa Shapter

Reading My Stories in Order (Not That It’s Necessary)

My new short stories “Crush” and “Planet 42 Alpha” are out!  “Crush” is in Tree and Stone‘s (website: https://www.tree-and-stone.com Twitter/X:  @TreeAndStoneMag Facebook: @Tree and Stone Magazine) ‘Queer as F’ Issue #3.

Download the .PDF of “Crush” here:

https://www.tree-and-stone.com/queer-as-f

Planet 42 Alpha” is out in 4 Star Stories‘ Issue #28.

Read “Planet 42 Alpha” here: https://4starstories.com/story_4.htm

  (A prequel, “Planet 38” appeared in an earlier issue of 4 Star Stories.  There will also be a sequel titled “Planet 42 Beta” in a future issue of 4 Star Stories.)

Since both stories are part of a linked set of stories, some fans have been asking me where to catch up on the other stories.

Here is a list of the stories in internal chronological order, with links:

1) This is Not a Love Story  in Black Denim Lit (October 2015)

     Link: https://www.bdlit.com/this-is-not-a-love-story.html

2) “Nightskyman Hope” in Expanded Horizons (January 2016)

  Archival link: https://web.archive.org/web/20160405075704/http://expandedhorizons.net/magazine/?page_id=3825

3) “The World in His Throat” in Things We Are Not: An M-Brane SF Magazine Queer Science Fiction Anthology (2009)

    Buy a copy here: https://www.barnesandnoble.com/w/things-we-are-not-christopher-fletcher/1115376673?ean=9781449522964

4) “Inducement” in Black Denim Lit (September 2016)

    Link: https://www.bdlit.com/inducement.html

5) “Grave’s First Day” in A Coup of Owls Issue #1 (August 2021)

    Read or Download the .PDF here: https://acoupofowls.com/2021/08/01/issue1/

6) “Searching” in Black Denim Lit Issue #8 (December 2014)

    Link: https://www.bdlit.com/searching.html

    Buy a copy here: https://www.barnesandnoble.com/w/black-denim-lit-8-black-denim-lit/1120945723?ean=2940046470680

7)  “Nightskyman Hope” in Expanded Horizons (January 2016)

   Archived site here: https://web.archive.org/web/20160401171854/http://expandedhorizons.net/magazine/?page_id=3855

8) “Life on Earth” in Expanded Horizons (January 2015)

    Archived site here: https://web.archive.org/web/20160401232705/http://expandedhorizons.net/magazine/?page_id=3645

9) “No Woman, No Plaything” in Kaleidotrope (October 2012)

    Link: https://kaleidotrope.net/archives/autumn-2012/no-woman-no-plaything-by-lisa-shapter/

10) “Planet 38” in Four Star Stories (Summer 2013)

    Link: https://4starstories.com/4StarStories_Archive_Issue10/story_4.htm

11) “Planet 42 Alpha” is out in 4 Star Stories‘ Issue #28 (February 2024)

    Link: https://4starstories.com/story_4.htm

12) “Planet 42 Beta” is out in a future issue of 4 Star Stories‘ (forthcoming)

    Link: Not yet out

13) “Planet 50” in Black Denim Lit (September 2015)

    Link: https://www.bdlit.com/planet-50.html

14) “Crush” in Tree and Stone‘s ‘Queer as F’ Issue #3 (December 2023)

    Download the .PDF here: https://www.tree-and-stone.com/queer-as-f

15) “The Other Two Men” (Play, produced Summer 2016)

    Archived review: https://www.portsmouthnh.com/stirring-sci-fi-at-the-ring/

And an unrelated alternate history novella set in New England about the unintended side effects of a WWII-era drug developed to create affinity between an interrogator and interrogatee:
A Day in Deep Freeze Aqueduct Press (Conversation Pieces series no. 46)  (April 2015).

Buy a copy here: https://www.barnesandnoble.com/w/a-day-in-deep-freeze-lisa-shapter/1121682868?ean=2940151492928

An finally, sign up for my mailing list for early access to future announcements here:

https://lisashapter.com/tag/my-mailing-list

-Lisa Shapter

Feminism (Or “Where Are The Women in My Fiction?”)

I write fiction that is a metaphor for things that are difficult to say in plain, non-fiction prose. I write feminist science fiction set in a single-sexed military that has colonized the Milky Way galaxy. I’m doing the old and revered fictional trope of taking a minority’s experience (women’s) and giving them to members of a majority (men) – to take away that ‘I can’t entirely identify with someone who’s Other’ that sometimes happens in readers’ subconsciouses. I hope this may make my perceptions of women’s experiences clearer to readers who might not pick up the straight-up version of the same thing (an all-female science fiction story – a genre I don’t always finish, myself: ask me someday for my review of Herland or Door into Ocean.)

As a result, readers sometimes ask me why the otherwise tolerant and egalitarian society in my military science fiction has banned women from serving in space. The in-world reason is not complex or nuanced: it is the irrational reaction to the tragic loss of an all-female transport ship a generation before due to an unexplained hull rupture. I’ve sometimes responded to sudden misfortunes by getting upset about smaller, more controllable things: what if an entire planet (and the policies of its representative government) did the same thing on a larger scale?
The male narrators within my military SF stories are very aware that their home planet’s decision is irrational and hypocritical: but they will lose their careers if they advocate for a political point of view while in uniform. (Read my story “Life on Earth” in Expanded Horizons (Jan. 2015) for an example of this.) They are very aware that the human body, with very minor individual variation, can survive only a narrow range of pressures and temperatures – they endured every survivable extreme during basic training (beside women, I might add, who still serve a limited military role within the solar system). Nearly every one of them wants the ban on women to end: they frequently encounter life and death challenges where the training, intelligence, knowledge, strength and problem-solving of women could have made a vital difference, and they say so (if only within their own thoughts while telling the story). These are also stories about how even an unwanted, artificial segregation from part of humanity changes their culture and thinking, as little as they wish either to be changed.

I also write fiction where the pieces of the puzzle are scattered across several stories. A generation later, my narrators do not remember exactly why a transport ship was entirely crewed by pregnant soldiers. In the novels and short stories from the same time there is the mundane explanation that these are the wives of men and women with field assignments on their way to join their spouses at their colonial posts. The maximum galactic travel time is six months, the first three month is the most fragile trimester in a pregnancy: better to serve it on earth (or in a transport ship with a full neonatal hospital). Their later children will be born onworld in clinics with limited medical staff, but their oldest child will have the best start. The truth is, the frontier is an immensely dangerous place to have children – and the transport ship is an attempt to ensure at least some reproductive success.

The exact cause of the all-female transport’s loss is never found: despite investigation, it remains and enigma and a source of conspiracy theories … and homeworld responds by banning women from serving in space. It makes no sense: there’s no ‘why’ but the over-compensation of the human brain in trying to find patterns and avoid danger. A generation later a lot of the details have been forgotten; my narrators have to live with the ban (and almost none of them support it).

At the end of this network of interrelated stories written across the history of this single-sexed military there is a novel: a novel about how and why the ban on women’s service in space is reversed.

I do not share my narrator’s views. I am not writing these stories to advocate for the characters’ individual politics. (I don’t like political advocacy novels from any part of the political spectrum.) I’m asking wider questions about what it means to be human, what the consequences are of asking only part of humanity to be more involved in childbearing (if technology might permit neither or both men and women to have children – by artificial wombs or artificially created full hermaphroditism), and what it means when humanity does not fully use all of the strengths and skills of its whole population (caused by sociological or historical accidents, not a deliberate decision that some portion of the population is not worthy of full consideration.)

So: the men in my stories stand in the place of women. (You can even try it with the non-military SF novella A Day in Deep Freeze.) Read them in that light and see if it makes them less cryptic.

-Lisa Shapter